Peter Pan (1953)
Disney Animated Classic Number 14
Starring: Bobby Driscoll, Margaret Kerry, Kathryn
Beaumont & Hans Conried
Directed by: Clyde Geronimi, Wilfred Jackson &
Hamilton Luske
Rating: ★½
I’m going to start this review by stating that I
have never liked the idea of, the story of or the character of Peter Pan.
Even as a child, it just never appealed to me,
mainly because Peter Pan seemed too…
girly.
I liked Hook
as a child and I pretended not to cry in Finding Neverland, but other than these two instances, I have never
really enjoyed Peter Pan, or any Peter
Pan related media.
And I specifically remember not enjoying this
movie as a child. After re-watching it, it is very clear to me why.
Not only it is almost entirely boring and dull, it
also has way too many instances of sexism and racism, which, upon contemporary
viewing, are strange and unsettling.
To begin with, the film opens with George Darling
telling his daughter Wendy (Beaumont) that she has to move out of the nursery
and grow up. Even though this isn’t particularly shocking, this is the first of
many deep themes that will eventually rear their ugly head in Peter Pan, and within seconds we realise
that the pet dog Nana is a maid servant who is enslaved by the family and that
George Darling is probably an alcoholic.
Disney Studios wants us to ignore these disturbing
facts that they present to us, and also to swallow that an English family
living in Victorian London all have American accents. Well, it isn’t the first
and most definitely won’t be the last time Disney gives everyone odd accents,
and it certainly isn’t the most culturally insensitive moment that Peter Pan has to offer.
Just wait for the ‘redskins’.
After the children leave the window unlocked so
that their ‘special friend’ can enter their bedroom, Tinker Bell (Kerry) comes
in and touches herself up whilst looking in the mirror as Peter Pan (Driscoll) clambers
in and then wrestles with his own shadow.
*SEXISM ALERT*
The next incredibly disturbing moment in a film
made for children is when Peter tells Wendy that ‘girls talk too much’ and then
makes her sew for him. So right off the bat, Peter is set up as a misogynist.
There’s a reason why I never liked this movie as a
child.
Wendy and her brothers John and Michael then fly
out of the window with Peter and Tinker Bell during a musical number, and then
arrive in a cosmos somewhere in outer space that is, of course, Neverland.
*RACISM ALERT*
The Pirates are, of course all European villains,
and there’s a place called Cannibal Cove where the ‘redskins’ live. Captain
Hook (Conreid) shoots a singing pirate for no reason, as his assistant Smee
shaves a bird’s bottom.
It’s all incredibly strange.
After the children are almost killed by Captain
Hook, who shoots a canon at them, Tinker Bell then tries to murder Wendy, which
is also very messed up. They are joined by The Lost Boys who are all ridiculous
and annoying, and sing the song ‘We’re Following the Leader’, which is probably
the only good bit in the movie so far.
*RACISM ALERT*
Michael, who is actually a fairly cute character,
then sees the Blackfoot tribe of savage ‘Injuns’, who attack the children. This
moment is only funny because it is so insanely racist. Now I’m no member of the
Politically Correct Thought Police, but it is very difficult, in this day and
age, to watch a monstrous caricature of an ‘Injun Chief’ rounding up white English
American children.
*SEXISM ALERT*
We then see a group of sexy mermaids lounging
around- all of whom absolutely adore Peter, so they try to drown Wendy. Not only
is this really horrible, it is only made worse by the fact that Peter laughs at
this, and doesn’t actually try to help her.
Peter really is a dick.
*RACISM ALERT*
A crocodile ticks (for no reason) and Hook steals
the Injun Chief’s daughter Tiger Lily. Peter clearly cares more about her than
Wendy, as he has a sword fight with Hook in a cave to rescue the damsel in
distress.
Once she is saved, Peter returns her to her father, and Peter is
admired as their ‘pale face brother’ and is given the title ‘Little Flying
Eagle’.
This picture is just unfortunate... |
*SEXISM AND RACISM ALERT*
The ‘redskins’, who actually have red skin, then
sing a song as a hugely obese woman calls Wendy a squaw and tells her that she isn’t allowed to dance
as she must instead collect firewood. So she goes off into the woods whilst
Peter dances with Tiger Lily.
Poor Wendy. She’s already learning the hard way
that some men just can’t be trusted.
*RACISM ALERT*
By the way, the song is actually about why the
‘redman’ is red. Clearly based on scientific fact, we discover that it is
because when ‘redskins’ blush when they kiss, and that, for some reason, makes
them permanently red.
Wow.
*SEXISM ALERT*
Tinker Bell, in all her stupidity, is then caught
by Captain Hook and is tricked into giving Peter’s whereabouts to him. Well,
what do you expect from a silly woman?
Wendy then tells us all that every little boy
needs a mother, as mothers are the most wonderful people in the world. She then
sings a stomach churning cheesy song about her own mother.
Then the children are kidnapped, with the
intention of recruiting them to become pirates. This is explained in a jaunty
song.
After Captain Hook unfortunately fails to blow up
Peter, as he and Tinker Bell miraculously survive the explosion, Peter saves
the day, and Hook ends up being chased by the crocodile.
Tinker Bell then turns the pirate ship gold, and
sails it back to London, which is probably the best moment in the movie. I
actually liked this part, which I can’t say for the rest of this bizarre mess.
Back home, Wendy decides that it’s time to grow
up, probably because she has been traumatised from gaining a deep seated
psychologically destructive complex about never being able to trust men since
her boyfriend clearly hates her, her father’s a drunk and the rest of the men
in the movie kept trying to kill her.
Wendy’s parents then come into the bedroom and
look out of the window to see the pirate ship in the clouds.
The End.
There’s really not much more for me to say about
this ‘Disney Classic’. Hook and Peter aren’t really the great characters they
purport to being, and the story is a patchy mess of random plots with loads of
stupid comic relief thrown in that really isn’t funny. Also, the fact that the
film is mainly about Hook and Smee, John, Michael and The Lost Boys, makes
little sense, as Wendy and Peter really should be the focus of the story, but
aren’t.
It’s no great surprise to discover that Peter Pan suffered terrible development
problems, mainly because it was another one of the Disney films put on hold due
to World War 2, but also because there were numerous problems with its
adaptation from the original play and novel.
Upon its release, Peter Pan was a huge success both critically and commercially, and
is still regarded as one of the ‘best’ Disney animations.
I really don’t know why.
But as I said at the beginning of this review, Peter Pan just never touched me as a
child (luckily) so I have no real emotional connection to it. It’s one of those
childhood movies that you either ‘get’ or you don’t.
And I don’t.
View comments